Nothing in François Le Diascorn’s background indicated the artistic road he was ultimately to follow (rather, he was directed toward a safe and prosperous future via the Institut d’Etudes Politiques by his professor father) except for the sense he often had of the dream-like nature of existence, of its unreality. (As a child he believed the world had come from his own thoughts and that if he stopped thinking about it, it could disappear!).

But his destiny swerved as a result of a trip to Egypt when he was about 17 where he met another young traveler who introduced him to photography (Pierre Marc Richard who ultimately became an expert on 19th century photography), and with a subsequent trip to India in 1969 and a return trip in 1971, trips which stimulated a budding passion: to try to capture in images that dream-like nature of existence he’d always been conscious of as a child—thus keeping the world real by his vision of it—and which he began to see more clearly as he gazed through a camera lens. He purchased his first cameras for that 1971 trip and since then is to be found without them only when sleeping, and even then, his cameras are in a bag just next to his bed (or sometimes IN it if he is on the road in a questionable hotel!) should he need them to record the dreaming nights as well as the dreaming days. (His dreams are often photographic ones!)

He has always chosen his own photographic subjects—which means he has accepted a certain rigor of existence—such absolute dedication to one’s work, the work of recreating the world according to the artist’s vision of it—is often a solitary road and so his has been. François Le Diascorn’s rigorously composed photography is a work of love and necessity, and whether it is considered fashionable or not, whether it brings him material remuneration or not, he continues to unceasingly travel the world like the imaginary gypsy parents he likes to say he had, knapsack on his back or sleeping in his tent or in the back of his car, photographing whatever he meets of interest on the road but with a predilection for certain subjects: magical animals, creatures of the oceans, Buddha and Christ, angels and demons, hospitals and carnivals, trees and tree people, children and clouds, monks and shepherds, his fetish cities and countries Paris, Venice, Sète, Varanasi, Egypt, India, Greece.

It is through his third camera eye that François Le Diascorn tries to understand the how and why of existence, particularly his own, through capturing and transmitting the beauty and the strangeness he encounters. His life is a never-ending journey which leads him from one waking dream to another: solitary quest of the transparent and fugitive messages of the world.

He has received a number of awards and grants for his work, among them a national grant for research and creation (for a year in the United States) and a Leonardo da Vinci grant (for a project in Japan). His photographs have been shown in museums and galleries in Europe and the United States and are in a number of collections including that of the Cartier Foundation for Contemporary Art, the Paris Bibliothèque Nationale, the French National Center of Plastic Arts, the European Center for Photography in Paris (MEP), le Centre Pompidou in Paris, the Nicephore Niepce Museum, the Réattu Museum in Arles….

In 1978, he joined the VIVA photo agency. In 1986, he became a member of Rapho Photo Agency which is now one of the agencies of Hachette Photos Press.

Collections :
The French Ministry of Foreign Affairs; The Nicéphore Niépce Museum at Châlon-sur Saône; The MEP (Maison Européenne de la Photographie, Paris; The Bibliothèque Nationale, Paris; The Chateau d’Eau Municipal Gallery, Toulouse; The FNAC Foundation, Paris; The Cartier Foundation, Paris; The French Ministry of Culture.; The National Center for Plastic Arts, Paris; The Paris Bibliothèque Historique; The National Contemporary Art Collection, Paris; The Georges Pompidou Center, Paris; The Réattu Museum in Arles; municipal and private collections. Three of his vintage photographs were sold in the 2006 sale “Photographers’ Treasures” by Artcurial, prestigious exhibition and sale gallery in Paris.